
Finding a movie quickly became a daunting task when I began my search. How would I pick just one movie? I decided to go with the most visually pleasing movie i could think of; because isn't that really what today's audience is all about? After mauling through my DVD collection I came across Sin City. It seemed like the perfect fit. Action packed and so visually involved that no critic could disagree with my satisfaction of the film. I then swiftly clicked to Rottentomatoes.com and chose the "top critics" tab expecting to see all positive reviews. I noticed a negative review by a gentleman named Robert Rodriguez's work, "absurd caricatures and stylized violence" (Honeycutt). Some may find this as a shot toward the film but I believe this is what Rodgriguez was trying to capture in the making. Taking a comic book to the silver screen isn't the easiest thing to do.
Then the critic began to ramble about the film's lack of imagination past the first ten minutes of the movie. "The major problem is that after about 10 minutes, you've seen all the movie's tricks. The look is hypnotic yet never changes. Repetition is the order of the day. And the cartoon savagery grows tiresome" (Honeycutt) Honeycutt states as he begins to sink jabs into Rodriguez for his lack of variety.
But then i began to wonder-what other angle could the director have taken to avoid this? It's not an easy thing to do-switch the style of cinematography halfway through a movie. Then i began to remember the choices Rodriguez made later in the film. There was a scene where the only color in the shot was the red of a rose being held by the main character. This reminded me of the rose in Schindler's List which is always a good movie to draw from.
Overall, I began in Honeycutt's boat but then quickly bailed out. Contradictory to the critic, I believed that Rodriguez used both variation and imagination in his film Sin City.
Then the critic began to ramble about the film's lack of imagination past the first ten minutes of the movie. "The major problem is that after about 10 minutes, you've seen all the movie's tricks. The look is hypnotic yet never changes. Repetition is the order of the day. And the cartoon savagery grows tiresome" (Honeycutt) Honeycutt states as he begins to sink jabs into Rodriguez for his lack of variety.
But then i began to wonder-what other angle could the director have taken to avoid this? It's not an easy thing to do-switch the style of cinematography halfway through a movie. Then i began to remember the choices Rodriguez made later in the film. There was a scene where the only color in the shot was the red of a rose being held by the main character. This reminded me of the rose in Schindler's List which is always a good movie to draw from.
Overall, I began in Honeycutt's boat but then quickly bailed out. Contradictory to the critic, I believed that Rodriguez used both variation and imagination in his film Sin City.